Cross-border integration and cultural inheritance: the historical evolution and artistic innovation of Chinese Peking Opera films

Abstract

This article examines the cultural legacy and distribution of film using the examples of Chinese cinema. First, the qualities and significance of films as cultural icons were discussed, highlighting how effective they are as a means of communication to shape culture. Peking Opera, an intangible cultural property, serves as a vital conduit for fostering cross-cultural contacts and a cultural memory link linking Chinese emotions. The way that information is disseminated has changed significantly in the age of mobile Internet. The evolution and legacy of opera art are inextricably linked to the advancement and change of communication media, and the widespread trend of media integration has expanded the opera's cultural communication pattern. The future inheritance and replication of traditional Chinese opera culture confront various challenges in the context of the media convergence period due to a number of internal and external reasons. In order to achieve the sustainable development of opera art, how should the legacy of opera culture adhere to righteousness and innovation, seize the opportunity of the times, appreciate the importance of communication through emerging media, as well as the production and broadcast mode of network sensitisation, production mode diversification, etc.? The study uses techniques including quantitative empirical research and model analysis. Encourage the development of Peking Opera's identity and cultural adaptation in cultural communication by switching from linear transmission to three-dimensional communication method.