Ecranisation of Asuran: A Cinematic Adaptation of Poomani’s Vekkai

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S. Sumithra*, R.Subramani

Abstract

This article explores the adaptation of Poomani’s novel Vekkai into the film Asuran Vetriman’s (2019), utilizing Ecranisation theory in conjunction with thematic and inter-textual analysis. By Analyzing the transformation of narrative structure, character development, and thematic elements between the novel and Movie, reveal how Asuran reinterprets the source material to engage with social issues, particularly caste discrimination and Social Hierarchy. The film condenses and re-contextualizes the original story, highlighting most impactful societal themes while maintaining the essence of Poomani's work. Through a detailed analysis, this study illustrates how Asuran successfully translates complex literary elements into a compelling cinematic experience, enriching its relevance for modern audiences. This exploration underscores the power of cinema to convey profound narratives while addressing cultural and political contexts, making Asuran a vital contribution to discussions surrounding adaptation and representation in Indian cinema.

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