Tradition, Experimentation, and the Genius of Vijay Tendulkar in Realm of Drama

Abstract

Vijay Tendulkar stands as a pivotal figure in the modernization and transformation of Indian theatre, particularly through his groundbreaking work in Marathi drama. Emerging in the 1960s alongside contemporaries such as Mohan Rakesh, Badal Sircar, and Girish Karnad, Tendulkar helped usher in an era of modernity, experimentation, and social consciousness in Indian drama. His plays, including Silence! The Court Is In Session, Sakharam Binder, and Ghashiram Kotwal, are renowned for their unflinching realism, psychological depth, and incisive critique of societal norms, power dynamics, and gender relations. Drawing from his experiences as a journalist, Tendulkar infused his works with acute social awareness, exploring the tensions between individual aspiration and societal restriction, and the complexities of human relationships in a rapidly changing India.

Tendulkar’s dramatic art is characterized by its originality, innovative narrative structures, and willingness to confront taboo subjects such as caste, gender inequality, and violence. His portrayal of women—both as victims and agents—reflects a deep engagement with the struggles of marginalized groups within a patriarchal society. Many of his plays sparked controversy for their bold themes and realistic depiction of social issues, yet they also earned critical acclaim and numerous awards, including the Sangeet Natak Akademi Award and the Padma Bhushan.

This research situates Tendulkar’s oeuvre within the broader trajectory of Indian theatre, analyzing both his critical reception and the controversies his works provoked. It further assesses his enduring legacy in social reform, education, and global theatre, highlighting how his plays continue to provoke, disturb, and inspire audiences. Ultimately, Tendulkar’s contribution transcends regional and national boundaries, establishing him as a visionary whose works remain relevant and influential in contemporary discourse.