The Influence of Women's Oppression in 'Holy Woman' and 'Good Muslim': A Comparative Literary Analysis

Abstract

This comparative literary analysis investigates the theme of women's oppression in Holy Woman (2001) and Good Muslim (2007), focusing on how the protagonists confront societal expectations and the limitations imposed by patriarchal systems within their cultural contexts. The study examines the experiences and reactions of female characters to the pressures of subordination, frequently finding them ensnared in conventional roles that restrict their individual rights and liberties. This research employs a qualitative methodology and textual analysis to examine the emotional and psychological challenges faced by these women, focusing on their expressions of anger, frustration, and resistance in confronting entrenched gender norms. Good Muslim explores the intricate dynamics of religious and social expectations regarding women's roles in post-independence Bangladesh, while Holy Woman forces the protagonist into a spiritual role that diminishes her personal agency. Both novels depict women who challenge cultural constraints while illustrating their pursuit of self-empowerment through defiance and personal growth. This analysis underscores the conflict between tradition and liberation, illustrating how these characters establish their own identities despite societal limitations. The study also investigates the extensive impact of feminist movements on literature, assessing how these novels mirror evolving perspectives on women's autonomy and rights. This research juxtaposes the protagonists' experiences to illustrate the depiction and challenge of women's oppression, highlighting the evolution of gender roles and the persistent struggle for equality in patriarchal societies.